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Probably the least faithful translation was that suggested by my German publishers, who chose to call the book Allein mit Shirley, emphasising my hero's erotic obsession with the actress Shirley Eaton. Almost nobody managed to come up with an exact version of the phrase, although I'm told that the Swedish attempt, Huggsexa, comes pretty close. That title to which I was so attached proved to be a real headache for my overseas publishers, all the same. Involved in politics, finance, food production, culture or any other area of national life.Дespite having such a narrow focus on British politics, What a Carve Up was the first of my novels to reach an international audience.

(Bob Hope, to name but one, used to specialise in this kind of film in the 1940s.) It occurred to me that I could take one such family and use them as a kind of metaphor for the British ruling elite, whether they were

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It belongs to a sub-genre of movie which I particularly enjoyed when I was a young boy: comedy/horror films, centered around a creepy old house, where relatives are gathered for the reading of a will, there is a terrific thunderstorm outside, and a series of mysterious killings start to take place. I decided that I could borrow more from this film than just the title, though. Its title was What a Carve Up, and after watching it again after more than two decades, the first thing I knew about my new novel was that I wanted to use this title. By chance, the BBC had recently screened (for the first time in about twenty years) an old comedy film which I remembered seeing when I was a child. Instead, after more than a decade of Thatcherism in the UK, I thought it was a good moment to write a book about some of the changes imposed upon the country in that time. Neither of these ideas took flight at the time, however. I also jotted down some ideas for a novel about a travelling salesman driving the length and breadth of Britain's motorway network вЂ“ the story that would eventually become The Terrible Privacy of Maxwell Sim. For a while I toyed with a couple of ideas: there had recently (in 1990) been a number of horrible attacks on the London Underground, where women had had acid thrown in their faces, and I tried to frame a story around this. вЂњAfter The Dwarves of Death I knew that it was time to write a more ambitious novel.

JohnsonДЁ Read what Jonathan Coe writes about What a Carve Up! on his official website and blog ().

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